by Minnie Apolis
The music of the Civil War era was rich in melody,
history and lyrics that evoke another era. There were songs for
Northerners, songs for Rebs, songs for slaves, and some songs that
transcended the tastes of any one group. Let us look at some of the
songs that the slaves knew and sang during this era.
1) First on the list has to be Follow The Drinking
Gourd.
Obviously this song is meant to teach slaves how to find
their way North and meet up with someone with the underground
railroad by following the Big Dipper (drinking gourd) as it pointed
to the North Star. But it also refers to a peg-legged former sailor
who supposedly taught them this song and marked out the trail along
the river with his peg leg, or in some versions, by painting the
outline of a foot and a circle on the tree trunks along the way. This
story, according to the John Lomax book American Ballads & Folk
Songs, can be found in the records of the Anti-Slavery Society. The
directions say to follow the Tombigbee till it ends, then walk over a
hill to the Tennessee River and follow it till that one joins the
Ohio. They were to cross the frozen Ohio on foot in winter.
Follow the drinking gourd, follow the drinking gourd,
For
the old man is awaiting for to take you to freedom,
If you follow
the drinking gourd.
The riverbank will make a very good road, the
dead trees show you the way,
Left foot, peg foot, traveling on,
Follow the drinking gourd.
The river ends between two hills,
Follow the drinking gourd,
There's another river on the other
side, Follow the drinking gourd.
Where the great big river meets
the little river, Follow the drinking gourd,
The old man is
awaiting for to take you to freedom,
If you follow the drinking
gourd.
2) Lincoln and Liberty was a song made popular in the 1860
election by a performing family named the Hutchinsons who happened to
be very pro-abolition. The melody was taken from an older tune called
"Rosin the Bow" and was borrowed yet again for "Love
Me, I'm a Liberal." Even though blacks did not yet have
citizenship or the right to vote, I include this song because it was
a tribute to Abraham Lincoln.
Hurrah for the choice of the nation, Our chieftain so brave
and so true,
We'll go for the great reformation, for Lincoln and
liberty, too.
We'll go for the son of Kentucky, The hero of
hoosierdom through,
The pride of the suckers so lucky, For Lincoln
and liberty, too.
The up with the banner so glorious, The
star-spangled red, white and blue,
We'll fight till our banner's
victorious, For Lincoln and liberty, too.
Come all you true
friends of the nation, Attend to humanity's call,
Come aid in the
slaves' liberation, And roll on the liberty ball.
And roll on the
liberty ball, And roll on the liberty ball,
Come aid in the
slaves' liberation, And roll on the liberty ball.We'll
finish the temple of freedom, And make it capacious within,
That
all who seek shelter may find it, Whatever the hue of their
skin.
Success to the old-fashioned doctrine, That men are created
all free,
And down with the power of the despot, Whatever his
stronghold may be.
3) Give Us a Flag was written by an anonymous soldier of
the all black Massachusetts 54th Regiment, Company A. They were cut
down unmercifully in cannon fire in the attempt by the 54th to take
Fort Wagner, on Morris Island near Charleston, South Carolina. The
courage of the regiment on this date, July 18, 1863 is captured in
the excellent film Glory starring Matthew Broderick, Denzel
Washington and Morgan Freeman.
Oh Fremont he told them when the war it first begun,
How to
save the Union and the way it should be done,
But old Kentucky
swore so hard and Abe he had his fears,
Till every hope was lost
but the colored volunteers.
Oh give us a flag, all free without a
slave,
We'll fight to defend it as out fathers did so brave,
The
gallant Comp'ny A will make the rebels dance,
And we'll stand by
the Union if we only have a chance.
Old Jeff says he'll hang us if
we dare to meet him armed,
A very big thing, but we are not at all
alarmed,
For he first has got to catch us before the way is
clear,
That is "what's the matter" with the colored
volunteer.
So rally, boys, rally, let us never mind the past.
We
had a hard road to travel, but our day is coming at last,
For God
is for the right, and we have no need to fear,
The Union must be
saved by the colored volunteer.
4) Yellow Rose of Texas was originally sung by a slave
singing about his girl. The song then entered the collection of songs
performed in minstrel shows, where a white preformer smeared burnt
cork on his face and adopted the mannerisms and speech of a black
person. This was done totally un-selfconsciously, similar to the way
that Bill Dana adopted a Hispanic accent to play his comic character,
Jose Jimenez. At any rate, soldiers later adopted it and then added
another verse at the end; the Texas Brigade was led to defeat under
Confederate General Hood in Nashville in 1864. The retreating troops,
led by General "Uncle Joe" Johnston, taunted Hood for his
loss. So it a song known by Southerners, and by Northerners, too, who
chanced to hear it at a minstrel show.
There's a yellow rose in Texas, That I am going to see,
No
other soldier knows her, No soldier only me.
She cried so when I
left her, It like to broke my heart,
And if I ever find her, We
never more will part.
She's the sweetest rose of color, This soldier ever knew,
Her
eyes are bright as diamonds, They sparkle like the dew,
You can
talk about your dearest Mae and sing of Rosalee,
But the Yellow
Rose of Texas is the only one for me.
Now I'm going southward, For my heart is full of woe,
I'm
going back to Georgia, To find my Uncle Joe,
You may talk about
your Beauregard, Sing of General Lee,
But the gallant Hood of
Texas played hell in Tennessee,
But the gallant Hood of Texas
played hell in Tennessee.
5) Run Mourner Run refers to slaves as mourners. Their only
way out of slavery was either death or running away. Each line is
repeated four times.
If I had two wings, Bright angels above --
I would fly away
to the kingdom, Bright angels above --
You gotta escape for your
life, Bright angels above --
CHORUS: Oh run, run, mourner run,
Bright angels above (four times).
6) Johnny Roach was written by the prolific Dan Emmett, who
penned several songs for minstrel shows. It is sung from the point of
view of an escaped slave who pines for his home in the South. Maybe
it seems impossible for us now to imagine a slave longing to return
to the plantation, but the tug of home on one's heart is strong no
matter how great the hardship one actually suffered.
To Canada old John was bound
All by de railroad
underground;
He's got no clothes—he's got no "tin"
He
wishes he was back agin.
Gib me de place called "Dixie's
Land,"
Wid hoe and shubble in my hand;
Whar fiddles ring
an' banjos play,
I'll dance all night an' work all day.
7) Wade in the Water was originally a gospel song with
masked instructions on how to run away. Escapees were instructed to
wade in the water to try to evade the bloodhounds tracking them.
Lyrics here are from the gospel version, not the later soul version.
It has the typical call-and-response structure.
Wade in the water (children), Wade in the water
Wade in the
water, God's gonna trouble the water
If you don't believe I've been redeemed
God's gonna trouble
the water.
I want you to follow him on down to Jordan stream
(I
said) My God's gonna trouble the water.
You know chilly water is dark and cold
(I know my) God's
gonna trouble the water.
You know it chills my body but not my
soul
(I said my) God's gonna trouble the water.
(Come on let's) wade in the water, Wade in the water
(children)
Wade in the water, God's gonna trouble the water.
Now if you should get there before I do
(I know) God's
gonna trouble the water.
Tell all my friends that I'm comin'
too
(I know) God's gonna trouble the water.
Sometimes I'm up lord and sometimes I'm down
(You know my)
God's gonna trouble the water.
Sometimes I'm level to the
ground
God's gonna trouble the water,
(I Know) God's gonna
trouble the water.
Wade in the water (children)Wade out in the water
(children)
God's gonna trouble the water.
8) Swing Low, Sweet Chariot is a gospel song that masked
references to the Underground Railroad. (Another one os The Gospel
Train.) The specific place referred to in this song is Ripley, a
station of the Underground Railroad where runaways were welcomed. The
town is on top of a hill by the Ohio River, which the slaves had to
cross. Crossing is not easy in winter, over the ice, and just about
impossible in summer given the powerful current. So slaves had to
wait for help making the crossing, and meanwhile they might be picked
up by bounty hunters or law enforcement. So the song says "I
looked over Jordan and what did I see, A band of angels coming after
me."
[Chorus] Swing low, sweet chariot, Coming for to carry me
home
Swing low, sweet chariot, Coming for to carry me home
I looked over Jordan and what did I see, Coming for to carry
me home
A band of angels coming after me, Coming for to carry me
home
Sometimes I'm up and sometimes I'm down, Coming for to carry
me home
But still my soul feels heavenly bound, Coming for to
carry me home
The brightest day that I can say, Coming for to carry me
home
When Jesus washed my sins away, Coming for to carry me home.
If I get there before you do, Coming for to carry me home
I'll
cut a hole and pull you through, Coming for to carry me home
If you get there before I do, Coming for to carry me home
Tell
all my friends I'm coming too, Coming for to carry me home.
9) John Brown's Body, also known as Battle Hymn of the
Republic, is really two songs that both used the melody of an old
Methodist hymn. The abolitionist John Brown who tried to instigate a
slave revolt at Harper's Ferry and failed, still provided a rallying
cry for Northern troops. In November of 1861, Julia Ward Howe wrote
the new lyrics that begin "Mine eyes have seen the glory of the
coming of the Lord". Eventually this version was printed as
sheet music by a Boston printer. One hundred years later, Judy
Garland sang Howe's version on her TV show after JFK was
assassinated. Below are the lyrics to the John Brown version.
John Brown's body lies a-mouldering in the grave,
John
Brown's body lies a-mouldering in the grave,
John Brown's body
lies a-mouldering in the grave,
But his soul goes marching on.
CHORUS: Glory, glory, hallelujah, Glory, glory,
hallelujah,
Glory, glory, hallelujah, His soul goes marching on.
He's gone to be a soldier in the Army of the Lord,
He's
gone to be a soldier in the Army of the Lord,
He's gone to be a
soldier in the Army of the Lord,
His soul goes marching on.
John Brown's knapsack is strapped upon his back,
John
Brown's knapsack is strapped upon his back,
John Brown's knapsack
is strapped upon his back,
His soul goes marching on.
John Brown died that the slaves might be free,John
Brown died that the slaves might be free,
John Brown died that the
slaves might be free,
His soul goes marching on.
The stars above in Heaven now are looking kindly down,
The
stars above in Heaven now are looking kindly down,
The stars above
in Heaven now are looking kindly down,
His soul goes marching on.
10) Slavery Chain Done Broke at Last is a spiritual song
that dates to around 1865 and commemmorates the end of slavery. The
former slave thanks God for hearing his prayers for freedom, and
pledges to praise God till he dies.
Slavery chain done broke at last, broke at last, broke at
last,
Slavery chain done broke at last, Going to praise God till I
die
Way down in-a dat valley, Praying on my knees
Told God
about my troubles, And to help me ef-a He please
I did tell him how I suffer, In de dungeon and de chain,
And
de days were with head bowed down, And my broken flesh and pain.
I did know my Jesus heard me, 'Cause de spirit spoke to me
And
said, 'Rise my child, your chillun, And you shall be free.
'I done 'p'int one mighty captain, For to marshall all my
hosts
And to bring my bleeding ones to me, And not one shall be
lost.'
Slavery chain done broke at last, broke at last, broke at
last,
Slavery chain done broke at last, Going to praise God till I
die.
11) No More Auction Block For Me --
I neglected to include this song in my first version of this
article, even though it is included in the soundtrack release from
the PBS documentary The Civil War by Ken Burns. You might also be
able to dig up an older rendition of the song by the magnificent Paul
Robeson, who recorded many spirituals, folk songs, and work songs in
addition to classical material. This song is in a traditional
call-and-response form, with the congregation or chorus repeating No
more, no more, or, Oh yes, oh yes, my Lord.
No more auction block for me, No more, no more,
No more
auction block for me, Many thousand gone,
No more auction block
for me, No more, no more,
No more auction block, whiplash for me,
Many thousand gone.
And oh the one thing, that we did wrong, No
more no more,
Staying in the wilderness, A day too long, No more,
no more.
An oh the one thing that we did right, Oh yes oh yes,
Was
the day that we began to fight, Oh yes, oh yes, my Lord.
And it's
no more auction block for me, No more, no more, no more,
Auction
block for me, Many many thousand gone.
12) Oh Freedom
Oh Freedom was a rather militant spiritual song that expressed the
desire of the black Union soldiers to die as free men.
Oh freedom, Oh freedom, Oh freedom over me.And
before I'll be a slave, I'll be buried in my grave,
And go home to
my Lord and be free.
RELATED ARTICLES:
Civil War Songs for
Rebs:
http://minnieapolis.newsvine.com/_news/2009/01/21/2339893-civil-war-songs-for-rebs
Ten Union Songs From the Civil
War
http://minnieapolis.newsvine.com/_news/2009/01/22/2343772-ten-union-songs-from-the-civil-war
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